Indo-European ornamental complexes and their analogs in the cultures of Eurasia

Smolensk hallmarks


15th century thumbnail the prophet Zechariah


Omofor


Motifs from simple and intricately drawn swastikas are placed as hallmarks on the bottoms of 11—12th century vessels found during excavations in Staraya Ryazan (Table 9).

Among the marks on the vessels of Smolensk (11—10th century), E.V. Kamenetskaya distinguishes, as the most archaic, the marks in the form of a swastika found on ceramics of the 10—11th century, and believes that they were cult among the Slavs, expressing deification and veneration of the sky, heavenly bodies and fire (Table 9).



Mosaic of St. Sophia Cathedral in Kiev


The swastika, as an element of decor, is found in brickwork and mosaics of the first Christian cathedrals of Kievan Rus. This is the main motive of the ornamental belt of the Eucharist composition of the apse mosaic of St. Sophia Cathedral in Kiev (11th century).


Of exceptional interest is the ornamental layout, which decorated the staircase tower of the Spassky Cathedral in Chernigov, one of the oldest structures in medieval Russia, the same age as the Kiev Sophia Cathedral (11th century). N.V. Kholostenko, who published these decorative displays, discovered after the removal of the late plaster, believes that such ornaments had a “special, symbolic meaning.” He notes that the particularly rich decoration of the staircase tower, distinguishing it from other parts of the cathedral, is due to the fact that it was the place of “the ritual entrance of the prince and his entourage to the choir.” (Table 10). In the second tier of the tower, there is a wide ornamental belt made up of alternating equal-pointed crosses and intricately drawn swastikas.


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